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Health professionals provide care to patients of differing religions and cultures, and knowledge of their cultural and religious background, way of life and beliefs and practices is vital to delivering sensitive and responsive care. This revised and updated guide provides practical and comprehensive information on each of the major faiths, providing an accessible reference for appropriate day to day care of patients in multicultural societies. Healthcare professionals, including doctors, nurses, midwives, healthcare assistants, physiotherapists, psychologists, hospital chaplains and administrative staff will find it an indispensable ready reference. Product details Format Paperback | 154 pages ...

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form. Product details Format Hardback | 466 pages Dimensions 156 x 234mm | 1,020g Publication date 01 Nov 1998 ...

The practice of walking to a sacred space for personal and spiritual transformation has long held a place in the British imagination. Art and the Sacred Journey in Britain examines the intersections of the concept of pilgrimage and the visual imagination from the years 1790 to 1850. Through a close analysis of a range of interrelated written and visual sources, Kathryn Barush develops the notion of the transfer of `spirit' from sacred space to representation, and contends that pilgrimage, both in practice and as a form of mental contemplation, helped to shape the religious, literary, and artistic imagination of the period and beyond. Drawing on a rich range of material including paintings and drawings, manuscripts, letters, reliquaries, and architecture, the book offers an important contribution to scholarship in the fields of religious studies, anthropology, art history, and literature. Product details ...

In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body. With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven `faces' of the monstrous-feminine: archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts. Product details Format ...

A new and wide-ranging empirical overview of party policy in 47 modern democracies, including all of the new democracies of Eastern Europe. It updates and radically extends Policy and Party Competition (1992), which established itself as a key mainstream data source for all political scientists exploring the policy positions of political parties. This essential text is divided into three clear parts: Part I introduces the study, themes and methodology Part II deals in depth with the wide range of issues involved in estimating and analyzing the policy positions of key political actors. Part III is the key data section that identifies key policy dimensions across the 47 countries, detailing their party positions and median legislators, and is complemented by graphical representations of each party system. This book is an invaluable reference for all political scientists, particularly those interested in party policy and comparative politics. Product ...

This is the first in a series of seven books that describe and illustrate the seminal architectural traditions of the world. It describes the origins of the Classical tradition in the mountain temples of Sumer, the pyramids of Egypt and the ziggurats of Mesopotamia. The story continues with the temples, theatres, palaces and council chambers of ancient Greece and Rome, and finishes with the adoption of Classical models to house the new institutions of Christian Europe. Excursions along the way take in Mesoamerica and the Andean littoral, and Africa. Not simply a profusely illustrated catalogue of buildings, the book also provides their political, technological, social and cultural contexts. It functions equally well as a detailed and comprehensive narrative, as a collection of the great buildings of the world, and as an archive of themes across time and place. Product details ...

Women, Science, and Technology is an ideal reader for courses in feminist science studies, science studies more generally, women's studies, and studies in gender and education. This second edition fully updates its predecessor, dropping ten readings and replacing them with new ones that: extend content coverage into areas not originally included, such as reproductive, agricultural, medical and imaging technologies reflect new feminist theory and research on biology, language, the global economy and the intersection of race and class with gender provide current statistical information about the representation of women and people of colour in science, technology, engineering and mathematics are more accessible for students. Section introductions have also been fully updated to cover the latest controversies, such as Harvard president Lawrence Summers' widely debated discussion about women and science and the current debates surrounding reports on the low numbers of female eng...

Artificial Culture is an examination of the articulation, construction, and representation of "the artificial" in contemporary popular cultural texts, especially science fiction films and novels. The book argues that today we live in an artificial culture due to the deep and inextricable relationship between people, our bodies, and technology at large. While the artificial is often imagined as outside of the natural order and thus also beyond the realm of humanity, paradoxically, artificial concepts are simultaneously produced and constructed by human ideas and labor. The artificial can thus act as a boundary point against which we as a culture can measure what it means to be human. Science fiction feature films and novels, and other related media, frequently and provocatively deploy ideas of the artificial in ways which the lines between people, our bodies, spaces and culture more broadly blur and, at times, dissolve. Building on the rich foundational work on the figures of ...